I do not cross you; but I will do so. The right hand side equates with strength, while the left represents the weaker or subordinate side so when Antony, a seasoned soldierthough of dubious reputation, offers young Octavius the left, he asserts himself imperiously insisting on taking the right side, identifying and symbolising him as the commander-in-chief. Antithesis is used to indicate internal conflict. Elsewhere linked opposites oxymoron are used to convey the clash of opposing emotions:
Caesar has defeated the sons of the deceased Roman general Pompey, his archrival, in battle. Caesar enters with his entourage, including the military and political figures Brutus, Cassius, and Antony. Cassius and Brutus, both longtime intimates of Caesar and each other, converse.
Cassius tells Brutus that he has seemed distant lately; Brutus replies that he has been at war with himself.
Cassius states that he wishes Brutus could see himself as others see him, for then Brutus would realize how honored and respected he is. Brutus says that he fears that the people want Caesar to become king, which would overturn the republic.
Cassius concurs that Caesar is treated like a god though he is merely a man, no better than Brutus or Cassius. Upon seeing Cassius, Caesar tells Antony that he deeply distrusts Cassius. Caesar departs, and another politician, Casca, tells Brutus and Cassius that, during the celebration, Antony offered the crown to Caesar three times and the people cheered, but Caesar refused it each time.
That night, Rome is plagued with violent weather and a variety of bad omens and portents. Brutus finds letters in his house apparently written by Roman citizens worried that Caesar has become too powerful. A committed supporter of the republic, Brutus fears the possibility of a dictator-led empire, worrying that the populace would lose its voice.
The men agree to lure Caesar from his house and kill him. Cassius wants to kill Antony too, for Antony will surely try to hinder their plans, but Brutus disagrees, believing that too many deaths will render their plot too bloody and dishonor them.
Having agreed to spare Antony, the conspirators depart. She pleads with him to confide in her, but he rebuffs her.
Caesar prepares to go to the Senate. His wife, Calpurnia, begs him not to go, describing recent nightmares she has had in which a statue of Caesar streamed with blood and smiling men bathed their hands in the blood.
Caesar refuses to yield to fear and insists on going about his daily business. Finally, Calpurnia convinces him to stay home—if not out of caution, then as a favor to her.
But Decius, one of the conspirators, then arrives and convinces Caesar that Calpurnia has misinterpreted her dreams and the recent omens. Caesar departs for the Senate in the company of the conspirators.
As Caesar proceeds through the streets toward the Senate, the Soothsayer again tries but fails to get his attention. The citizen Artemidorus hands him a letter warning him about the conspirators, but Caesar refuses to read it, saying that his closest personal concerns are his last priority.
At the Senate, the conspirators speak to Caesar, bowing at his feet and encircling him. One by one, they stab him to death. When Caesar sees his dear friend Brutus among his murderers, he gives up his struggle and dies.
He shakes hands with the conspirators, thus marking them all as guilty while appearing to make a gesture of conciliation. When Antony asks why they killed Caesar, Brutus replies that he will explain their purpose in a funeral oration. Antony asks to be allowed to speak over the body as well; Brutus grants his permission, though Cassius remains suspicious of Antony.
Brutus and Cassius go to the Forum to speak to the public. Cassius exits to address another part of the crowd. The speech placates the crowd. The crowd becomes enraged that this generous man lies dead; calling Brutus and Cassius traitors, the masses set off to drive them from the city.
They prepare to fight Cassius and Brutus, who have been driven into exile and are raising armies outside the city. Brutus reveals that he is sick with grief, for in his absence Portia has killed herself.William Shakespeare used his play Julius Caesar to make it perfectly clear that ambition was not a positive trait for Caesar.
In the play, ''ambition'' really has . ENG Shakespeare Essay Assignment 1: Julius Caesar –language, character, theme Virtue and Ambition in Julius Caesar Shakespeare’s Julius Caesar is a play which displays the contrasting themes of ambition and virtue.
The play Julius Caesar is, to a large degree, about ethics and ambition in politics.
|What other items do customers buy after viewing this item?||The tribunes, insulting the crowd for their change in loyalty from Pompey to Caesar, attempt to end the festivities and break up the commoners, who return the insults.|
|William Shakespeare - Poet | Academy of American Poets||The background of this celebrated drama is set in republican Rome.|
|Navigate Guide||I am not gamesome: I do lack some part Of that quick spirit that is in Antony.|
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|From the SparkNotes Blog||Caesar was one of the leaders of Rome but the people wanted him to become their king, and conspirators saw that as a threat.|
Rome had, for many centuries, been a Republic but that form of political organization masked a problem that in. There are three specific incidents which demonstrate the "vaulting ambition" and desire for power in the character Julius Caesar: 1.
In the exposition of . Essay about The Events of Shakespeare's Julius Caesar - Julius Caesar’s ambition for power drove the honorable Brutus to think negatively about Julius Caesar’s position of being the King of Rome.
The Tragedy of Julius Caesar is a history play and tragedy by William Shakespeare, for Rome, his sympathy with the poor, and his refusal of the crown at the Lupercal, thus questioning Brutus's claim of Caesar's ambition; he shows Caesar's bloody, in his essay "Shakespeare's Julius Caesar and the Irony of History", compares the logic and.